CYNTHIA NOURSE THOMPSON
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    • NIRVANA
    • Windgate
    • In Conversation
    • This Mortal Coil
    • Louise Bourgeois The Labor of Remembrance
    • The Gravity of Beauty
    • Oscar Muñoz
    • Legends and Legacy: Revolutions in Hand Papermaking
    • Mirror, MIrror: Alison Saar
    • On Paper
    • Louise Bourgeois Topiary
    • Louise Bourgeois Configuration
    • Of Legends and Lore
    • The Bleak and the Burgeoning
    • Adornment: Beauty in Excess
    • The Grammar of Ornament
    • Charting Terrain: The Confluence of Light and Form
    • Resplendent
    • The Stationary: Work by Anthony Goicolea
    • Resonance: Audible Silence in Portraiture
    • The Motionless and the Fragile: Lesley Dill
    • Storm at Sea: Radcliffe Bailey
    • Revealed Terrain: The Semantics of Landscape
    • Shadows & Silhouettes
    • Seamless
    • Above & Beneath
    • Adrift
    • Employing Voice, Embracing Agency
    • Sustenance: Artists Reuse, Recycle and Repurpose
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Recollections, Oscar Muñoz

 The Don Russell Clayton Gallery at the Bernard A. Zuckerman Museum of Art presents
Recollections, Oscar Muñoz 
August 27 – December 10, 2022  
Curated by Vanessa K. Davidson, Curator of Latin American Art, The Blanton Museum of Art, The University of Texas at Austin, and Cynthia Nourse Thompson, Director of Curatorial Affairs, Bernard A. Zuckerman Museum of Art    
​
Recollections features six seminal works by Colombian artist Oscar Muñoz. The Zuckerman Museum of Art is pleased to host these works which were featured in the artist’s first retrospective in the United States, Invisibilia, curated by Vanessa K. Davidson of the Blanton Museum of Art. Oscar Muñoz is one of the most innovative artists working in Latin America today. Best known for his evocative use of ephemeral materials to interrogate the stability of the photographic image, Muñoz poetically equates its intrinsic fragility with the fallibility of memory and the precariousness of life itself. Although his radical artistic practice combines photographic processes with drawing, painting, printmaking, installation, and video, the artist does not consider himself a photographer. In opposition to Roland Barthes's belief that photography is definitive and absolute, Muñoz’s works defy fixation, thus calling into question memory, erasure, permanence, and the resolute. Davidson thoughtfully reflects, “Muñoz’s works exist between forgetting and remembering, in other words, there is a constant battle between a thing that materializes and then fades away, falls apart. Although the images Muñoz creates often change or disappear, they stay transfixed in our minds.” Deeply rooted in the Colombian context, Muñoz’s artworks nevertheless have universal resonance.



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  • About
  • Contact
  • Curatorial Work
    • NIRVANA
    • Windgate
    • In Conversation
    • This Mortal Coil
    • Louise Bourgeois The Labor of Remembrance
    • The Gravity of Beauty
    • Oscar Muñoz
    • Legends and Legacy: Revolutions in Hand Papermaking
    • Mirror, MIrror: Alison Saar
    • On Paper
    • Louise Bourgeois Topiary
    • Louise Bourgeois Configuration
    • Of Legends and Lore
    • The Bleak and the Burgeoning
    • Adornment: Beauty in Excess
    • The Grammar of Ornament
    • Charting Terrain: The Confluence of Light and Form
    • Resplendent
    • The Stationary: Work by Anthony Goicolea
    • Resonance: Audible Silence in Portraiture
    • The Motionless and the Fragile: Lesley Dill
    • Storm at Sea: Radcliffe Bailey
    • Revealed Terrain: The Semantics of Landscape
    • Shadows & Silhouettes
    • Seamless
    • Above & Beneath
    • Adrift
    • Employing Voice, Embracing Agency
    • Sustenance: Artists Reuse, Recycle and Repurpose
  • Student Work
  • Collaborations